Which digital memorial might be considered a duplicate of the one dedicated to Frieda M. Lehner (memorial ID: 84116669)? Determining potential duplicates is a crucial step in preserving the accuracy and integrity of online remembrance spaces, ensuring that individual stories are honored appropriately.
The task of identifying potentially redundant memorials is a delicate one, requiring careful consideration of biographical details, family connections, and the overall narratives presented. The goal is to avoid fragmentation and to consolidate information where appropriate, thus fostering a more comprehensive and respectful tribute to the departed. The process involves reviewing the memorials and making decisions regarding merging them, this approach ensures that the memories and stories associated with each individual are preserved and celebrated effectively.
| Attribute | Details |
|---|---|
| Full Name | Felix Bressart |
| Date of Birth | March 2, 1892 |
| Place of Birth | Eydtkuhnen, East Prussia, Germany (now Chernyshevskoe, Russia) |
| Date of Death | March 17, 1949 |
| Place of Death | Los Angeles, California, USA |
| Age at Death | 57 |
| Spouse | Frieda Bressart (ne Lehner) |
| Marital Status | Married |
| Year of Marriage | 1925 |
| Occupation | Actor |
| Zodiac Sign | Pisces |
| Notable Films | Ninotchka (1939), Comrade X (1940), The Shop Around the Corner (1940), To Be or Not to Be (1942), Swanee River |
| Nationality | German-American |
| Film Debut | 1928 |
Reference: IMDb
Felix Bressart, a name that resonates with aficionados of classic cinema, was a German-American actor whose contributions graced both the stage and the silver screen. Born in Eydtkuhnen, East Prussia, Germany (now Chernyshevskoe, Russia) on March 2, 1892, Bressart's journey took him from the theatrical circles of his homeland to the bustling film studios of Hollywood. His career, spanning several decades, left an indelible mark on the world of entertainment.
Bressart's early life was steeped in the world of theatre. He honed his craft on the stage, gaining valuable experience that would later serve him well in the world of film. His transition to the cinema came in 1928, marking the beginning of a new chapter in his career. While initially taking on supporting roles, Bressart's talent and versatility soon shone through, allowing him to carve a niche for himself in the industry.
The 1930s and 1940s were particularly prolific for Bressart. He found himself in the US, where he embraced American life and culture. He became a popular character actor, known for his ability to bring depth and nuance to his roles. His performances were often marked by a subtle wit and a genuine warmth, making him a favorite among audiences. Some of his most memorable films include "Ninotchka" (1939), "Comrade X" (1940), "The Shop Around the Corner" (1940), and "To Be or Not to Be" (1942). These films showcased his range and ability to portray a variety of characters, solidifying his reputation as a versatile actor.
Bressart's personal life included a significant relationship with Frieda Bressart (ne Lehner), whom he married. The two were married in 1925, however details about their marriage are limited and further details may vary. Their union highlights the deeply human dimensions of his life, beyond the glitz and glamour of the film industry.
The film industry brought Felix Bressart and Frieda Lehner together and they became not only husband and wife but good friends and work partners as well. They shared a life in the world of entertainment, and the details of their personal and professional lives often intertwined. This connection reveals the close-knit nature of the industry and the importance of personal relationships in shaping professional outcomes.
Sadly, Felix Bressart's life was cut short by leukemia. He passed away on March 17, 1949, in Los Angeles, California, at the age of 57. His death marked the end of an era, but his legacy lives on through his extensive filmography, which continues to entertain and inspire audiences around the world. His performances remain a testament to his talent and dedication, serving as a reminder of the impact he had on the art of acting.
The search for memorials to Frieda M. Lehner continues, and the process of identifying potential duplicates is underway. As part of this work, it's important to consider the different contexts in which the name "Frieda Lehner" appears. For example, searching yields results related to "Frieda lehner" and also mentions of a "Rudolf Lehner". The presence of the name "Frieda Lehner" in various contexts underscores the importance of distinguishing between individuals and accurately attributing stories and memories to the correct person.
The details of the memorial for "Rudolf Lehner" offer another piece of information. It provides a glimpse into the family connections of a "Frieda Lehner," who may be related to the Frieda M. Lehner of memorial ID 84116669. In the context of online memorials, this information can be used to understand family connections and the various relationships that shape individual lives.
The search for Frieda Lehner extends to those born on 08/01/1949, as well as those who may live in Albuquerque, NM. These are different details than the original search, and are useful for understanding how individual details can be used for identity purposes.
The process of investigating and verifying memorial entries relies on precise details, and the presence of incorrect information is common. Spelling mistakes, variations in names, and inaccuracies in dates are all part of the process. This illustrates the critical role of careful research and verification in maintaining the integrity of digital memorials. The effort required to ensure accuracy demonstrates the respect paid to the memories of those who have passed away.
In conclusion, the identification of duplicate memorials, such as the one dedicated to Frieda M. Lehner (memorial ID: 84116669), is a vital task in the creation and maintenance of accurate and respectful online remembrance spaces. Felix Bressart's life, from his stage beginnings to his film success, is a reminder of the lasting power of art and the importance of remembering those who have enriched our world. As the search for memorials continues, the meticulous work of examining details and verifying identities is crucial to honoring the stories and preserving the legacies of individuals like Frieda M. Lehner.
